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Rating: 8/10, based on the strong performance of Maggie Gyllenhall and the character of Lee Holloway, but nocked down due to a poorly-constructed finale that just doesn't fit with the rest of the film. This is Maggie's movie, and he supports it and plays off it well.

Spader, for his part, follows in a long string of oddballs, but doesn't go over the top, as he could have been tempted to do. She becomes Lee Holloway, which is the best compliment you can give an actor. She gives herself completely over to the part, without a wink or a nudge that she's just kidding, or thinks any part of this is silly. She can say more with a facial expression than most can in a Shakespearean soliloquy. Grey, and pursues it while healing her own shattered psyche in the process. She sets the terms by which the relationship will be conducted, seemingly for the first time in her entire life (including the relationships with her family). The key to this film - and S&M relationships in general - is that Lee (the submissive) has all the power, not Mr. He's slower to develop than she is, and to take the final steps towards a real, lasting relationship, he has to be dragged there by the force of Lee's own will. He cares for his orchids but little else, and the steps he takes with Lee open up his wary heart. Grey, for his part, is a man who can't deal with anything except in his own ordered, regimented way. That love allows her to give him the power of her pain - by doing that, she's finding something worthy to focus on instead of the nothingness of her sewing kit and iodine. Grey is love - absolute love, the likes of which she can't find with her fiance Peter (Jeremy Davies).

Lee can't handle extreme emotion without resorting to pain, because she can't take control of her own life. Grey as the dominant have little to do with their sexuality and everything to do with their personality issues. The idea of Lee as the submissive and Mr. Grey makes it a bit controversial, but it's not really the focus here. The film's use of S&M in the relationship between Lee and Mr. From then on, the movie explores their relationship and how it affects Lee, taking her from the quiet, self-damaging wallflower into the determined and strong woman she becomes. As she's released from an institution back into the world, she takes her first job as secretary to lawyer E. In 'Secretary', she delivers a layered, complex performance as Lee Holloway, a disturbed young lady who deals with stress by cutting herself - the pain pushes away everything else that's bothering her. Maggie, like her brother Jake, turns in great performances like they're routine - she makes it look easy.

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